I loved this book!
http://www.cleveland.com/books/index.ssf/2013/01/amity_gaiges_schroder_a_haunti.html
Wednesday, January 30, 2013
Sunday, January 27, 2013
On art and money
Today I’m only going to ask questions. Does it make sense to struggle to make your
art a business? What happens when you
have to find a way to make a profit? Do
you fall less in-love with your art? Or
do you have to look at it more closely, understand what it’s saying, what it’s
doing, how much power it has to grab someone’s attention and emotions? Do you need to ask what it’s worth? Not only financially, but emotionally, and in
effort—yours to create it, and someone’s time to experience it? Is an element of art the process of thinking ahead
to sell it?
Obviously there are degrees to this question, and “art” can be interpreted in many ways. Some may argue that commercial art is not “their” kind of art. But I've met a few authors who produce what I might term commercial art, and they believe themselves artists, as much as I believe that about myself. They talk about character. They talk about place. They talk about their writing. They talk about their love of the process (along with their despair about the difficulties). Who am I to draw a line? I either appreciate their end result, or not. Or waver, seeing it’s power and its flaws. The same can be said of any novel I might read. Any painting I might look at.
Obviously there are degrees to this question, and “art” can be interpreted in many ways. Some may argue that commercial art is not “their” kind of art. But I've met a few authors who produce what I might term commercial art, and they believe themselves artists, as much as I believe that about myself. They talk about character. They talk about place. They talk about their writing. They talk about their love of the process (along with their despair about the difficulties). Who am I to draw a line? I either appreciate their end result, or not. Or waver, seeing it’s power and its flaws. The same can be said of any novel I might read. Any painting I might look at.
Artists
need to support themselves. But how does
that change us, and change what we create?
Sunday, January 20, 2013
Starting your own writers group
For anyone who might be interested, I’m giving a talk
at the Beachwood Branch of the Cuyahoga County Public Library this next Saturday—January
26th, at 2:00 PM. I’ll be
doing the same thing at the Fairview Branch on Thursday, January 31, at 7:00 PM. They’d love for you to register, but you
could just show up, too. Here’s the description,
and the link.
How to Start a Writing
Group
Type of Event: Classes
Date: Saturday, January 26,
2013 2:00 PM - 3:30 PM
And keep it going
smoothly! Sarah Willis, founder of The East Side Writers -- in existence
for 22 years -- will share her advice on starting and running a successful
writing workshop. You will learn how to bring together peers to discuss
and improve your fiction, nonfiction, poetry or memoirs. We will cover how to
critique helpfully, listen to feedback, and use suggestions, along with the
nitty-gritty of how to find your peers, and when and where to meet. This
class will be helpful even if you are already in a writers' group.
Instructor Sarah
Willis has published four novels. Her first, Some Things
That Stay, was a New York Times Notable Book of the Year, won a Cleveland Arts
Prize in Literature in 2000, and was made into a movie in 2004.
Wednesday, January 16, 2013
Questions about rights
I’m full of questions these days. So here’s one. I love the photos on Beautiful Planet Earth,
and Beautiful Amazing Earth. Who
wouldn’t? Forests fringed with frost,
forests spongy with dark green moss, mountains, lions, Monarch
butterflies. I can gaze at them for
hours, share them with my Facebook Friends, but I’m beginning to believe that
some of the photos were not taken by the person whose name is posted in the top
right corner. I look up those names, but
am lead to Facebook profiles that don’t mention anything about being
photographers. One guy has hundreds of
photos, all over the map in style and type and places of the pictures he posts. I messaged him, but my message got
bounced.
I want to
share the lion’s face, because it entices me, but I want to credit the
photographer. What’s happened to taking
(and giving) credit? Is everything on
the web for grabs? Can someone use a
photo of me, or of my farmhouse, just because I’ve shared it online?
Some
photos have a connection to a webpage, that you can like, and follow, and that
seems the decent thing to do for a photo I want to look at for more than a
moment, a photo I want to come back to, to save. But what about the rest?
So,
here’s the simple part of the question: Do you think twice before sharing a
photo online, be it your own picture, or one from someplace like Beautiful
Planet Earth? How do we applaud the
artist? Is sharing enough?
Subscribe to:
Posts (Atom)